eleanor herbosch

Philosophy

Eleanor Herbosch (1999) is a British born, Belgian multidisciplinary artist who manipulates a variety of materials to create textural works of art. She is a graduate of London’s Central Saint Martins. In 2019, whilst still studying, she founded her practice in a small studio in the back of her garden in Antwerp, Belgium, where she still resides and works.

Her adopted means of expression are ceramics and painting which are united by a common denominator: earth, her material of choice. Eleanor’s work is characterised by expressing the potential of natural materials with the intent of enhancing their intrinsic qualities. She has always been drawn to a very tactile method of working. She wishes to create an enhanced visual experience that’s a pure pleasure for the senses. “Materiality is crucial in my work since it translates automatically into its visual intention, to reach a sense of visible composure,” Eleanor says. Texture is the principal element in her studio practice and a signature aspect of her work. The underlining narrative within her practice is all about the material. She finds herself on a constant artistic quest for an impromptu collaboration between materiality and harmony.

Eleanor Herbosch (1999) is a British born, Belgian multidisciplinary artist who manipulates a variety of materials to create textural works of art. She is a graduate of London’s Central Saint Martins. In 2019, whilst still studying, she founded her practice in a small studio in the back of her garden in Antwerp, Belgium, where she still resides and works.

Her adopted means of expression are ceramics and painting which are united by a common denominator: earth, her material of choice. Eleanor’s work is characterised by expressing the potential of natural materials with the intent of enhancing their intrinsic qualities. She has always been drawn to a very tactile method of working. She wishes to create an enhanced visual experience that’s a pure pleasure for the senses. “Materiality is crucial in my work since it translates automatically into its visual intention, to reach a sense of visible composure,” Eleanor says. Texture is the principal element in her studio practice and a signature aspect of her work. The underlining narrative within her practice is all about the material. She finds herself on a constant artistic quest for an impromptu collaboration between materiality and harmony.

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A few of my recent works

I am constantly exploring and focusing on materiality when I make. Through my artistic lens, materiality and manipulation lie on a similar frequency. What sort of surfaces can I manipulate with clay, that differs from that of paint? Can I experiment with paint and clay so vigorously that they now have a new and improved definition? What creative language have I discovered by pushing the boundaries of these materials? These are questions that I constantly find floating around in my head when I am creating.

Through my artistic lens, materiality and manipulation lie on a similar frequency. What sort of surfaces can I manipulate with clay, that differs from that of paint? Can I experiment with paint and clay so vigorously that they now have a new and improved definition? These are questions that I constantly find floating around in my head when I am creating.

Stories - A collection of events

Numeroventi Artist Residency & Exhibition

A Florentine artistic sanctuary, creating in the impressionable Palazzo Galli Tassi was an experience that I will carry with me for years to come. In the summer of July 2020 I was offered to take participate in an artist residency at Numeroventi. This experience has introduced me to so many special people. Thank you Martino, Daniel, Cisco and Elisa, you are all wonderful.

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